a timeline for the end of time
A four-channel generative A/V installation engaging the recursivity of apocalyptic narratives.
a timeline for the end of time is a four-channel generative A/V installation that engages the recursivity of apocalyptic narratives — climate catastrophe, eschatology, political conspiracy, and technological singularity — and produces a continuous feed of algorithmically remixed content. Rather than depicting an end, the work performs recombinant stasis: time itself becomes a substrate for the reification of semi-automatic speculation and conspiracy.
Co-developed with Rebecca Uliasz as GOVERNANCE (GVNC) and sponsored by Computational Media, Arts & Cultures at Duke University.
The work was discussed in the keynote address “Triple Contingency and the Ethics of Collective Inscription” at the Center for Information Integrity, University at Buffalo (April 2026), where it was situated alongside Elena Esposito’s concept of “artificial communication” to argue that generative networked systems participate in the erosion of temporal accountability by decoupling cause from consequence.
Exhibition & Performance History
- Rubenstein Arts Center, Duke University, Durham, NC — February–March 2022