a timeline for the end of time
A four-channel generative A/V installation engaging the recursivity of apocalyptic narratives.
a timeline for the end of time is a four-channel generative A/V installation that engages the recursivity of apocalyptic narratives — climate catastrophe, eschatology, political conspiracy, and technological singularity — and produces a continuous feed of algorithmically remixed content. Rather than depicting an end, the work performs recombinant stasis: time itself becomes a substrate for the reification of semi-automatic speculation and conspiracy.
Co-developed with Rebecca Uliasz as GOVERNANCE (GVNC) and sponsored by Computational Media, Arts & Cultures at Duke University.
Exhibition & Performance History
- Rubenstein Arts Center, Duke University, Durham, NC — February–March 2022